Inside out – Final Result & Evaluation

Final Paintin - Acrylic on board

Final Painting – Acrylic on board

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Final Sculpture – Found objects, Latex, Wool

Final Arrangement

Inside Out – Final Arrangement


Inside out – Evaluation

When I first received the project titled ‘Inside Out’ I really wasn’t sure where I could take the project. I considered the human or animal body and the inside of that such as muscle tissue and bones. I also considered my childhood and using objects or photos of meaning with that. However, I wasn’t too happy with concept of my projects so I decided to go with the idea of Depression as it is something I have struggled with for many years. I have often used my artwork as a way of therapy for myself and I felt that I would have a lot to go off as it is something very close and personal to me.

My initial idea of what I could produce for the painting was that I could paint a close up of an eye as when I struggle with my depression on the outside I act as if I’m fine but on the inside I’m not and as people have often considered the eyes to be “the windows of the soul” I felt this could be a good representation of this. However, after a talk with a tutor we came up with the idea of Photoshopping the eyes off of the face to give a completely emotionless face.

From the rough Photoshop image, I started to do studies in different mediums, I started off with Charcoal and when I added shading to the space where the eyes should be it made them look big and hollow as opposed to blended with the skin like the initial plan. For the second study I used oil pastel, in this one I made the eyes even darker by using shades of brown to contrast from the skin. I haven’t used oil pastels for a long time and I don’t know how to properly work with them so I feel this study didn’t come out well. The third study I used acrylic paints and painted it very quickly and used colour’s you wouldn’t particularly see on a face such as pinks and yellows, as this study was very quick and rushed I decided to create another study using the paints. For this study I took more time blending colour’s and using more skin tones and once again using browns for the eyes to give the hollowed out eyes, I was really happy with the result of this study. I feel the face is a lot more haunting with this style than the previous ones I have attempted. After producing the other studies, I then produced a really quick study with the paint but using a lot of water so that the paint spread a lot, for this one I used small brush strokes with different shades to add a lot of shapes and texture to the face.

For the next study I experimented with scale as for my final piece I want to have it fairly large scale. For the study I used a large piece of paper the size of the wall to create this piece. I used large brushes so I could achieve a similar style to the smaller studies I had been producing. I went with the more expressive style of Study 3 and Study 5 and the bold colour’s too. I enjoyed working at the larger scale however for my final I wanted to use a board to paint on so I think I will scale the piece down a bit.

As I wanted to create my final painting on board I decided I would do two testers to choose what style of painting I would do. for the first style I went for the more expressive painting using the bolder colour’s. with this study I feel I didn’t get the same textures into the painting as I had in previous studies on paper. For the next study on board I went for the same style as Study 4 with the flatter colours as I felt that the original was a lot more haunting and had the message I wanted to send. I am happy with this study and feel I will take this into my final piece. The simplistic style helps the eyes stand out more in the painting and makes you look deeper into.

For my final painting I used a large piece of board instead of paper or canvas, I chose this as I liked the the raw material of the wood instead of a crisp white background like paper. I felt this would help my figure stand out more and not be obstructed by the brightness of the background. I went for the flatter style of painting as I felt it would make the eyes stand out more on the board than if there was a more realistic painting with the face. I am pleased with how the painting came out in the end however if I had spent more time on it I would have worked on the nose and lips as I feel the lips needed more texture like I had created with the tester in the same style. I may have also experimented on a bigger scale like I did with the paper with the more expressive style, but in the same style as I chose in the end.

My initial idea for my sculpture was to create a box that contained items that a previous abusive ex boyfriend had bought me after every time he had hurt me, these items included teddies, snow globes and other romantic gifts. At the time these gifts would make me forgive him and not want to leave, but since leaving him I realised how wrong it was for him to just buy me off. I decided I would use these objects as when relationships end they set my depression off really badly, I felt that these objects would offer a way of therapy while destroying them and what they mean. I thought that I could destroy them and fill the box with black string to represent all the bad thoughts I have had during my episodes of depression. I considered having holes in the box as a way of viewing the items, the holes would represent the ‘missing’ eyes from the painting. However, when I was looking at the items I had gathered I was considering what I would do to destroy them before placing them inside of the box, I got on to looking at two plush hearts I had and got onto thinking about stitching the two of them together using the black string I was going to use inside the box. I then had the thought about dipping them in latex to change the texture of them into something gross that people wouldn’t want to touch. Once I had come up with the idea for the hearts I decided that this would be more visually interesting than the box idea.

To make the sculpture I started by stitching the hearts together with the black string, I added a lot of the strands so that the centre of the hearts was dark and crowded. I then started layering it all in latex until I was happy with the results. During a critique people all came up with different thoughts and feelings about the piece, one saying the middle was like heart strings and another saying it was like a parent child bond holding them together. I am happy with the end result of the sculpture and feel it provokes inner feelings of people who look at it. Although if I had of had more time on the project I think I would have experimented with some of the other objects I had gathered and destroyed them in some way as well.

Overall I am pleased with the end result of my project and I have learned that it is good to experiment a lot with styles and mediums before deciding on what to do for a final piece.

 

Inside Out – Sculpture Development

As part of the Inside out project i had to produce a painting and sculpture. For the sculpture part of my project my initial idea was to incase sentimental objects inside of a box. The way the audience would view the objects inside would be through eye holes as if you’re looking through the eyes of the painting. The objects inside would be distorted and destroyed through a web of black string to signify hurt, upset and bad memories.

After i had collected a few sentimental objects i didn’t mind being destroyed i was looking at them trying to decided what ones i would end up using. I then started looking at two different sized plush hearts that had been given to me by an ex boyfriend. While looking at them i got the idea of stitching them together with the black string and dipping the whole thing in latex to add another skin over the top of it changing the whole object into a distorted form. I felt this would be more visually interesting than the objects inside of a box.


To start the progress of making the sculpture i stitched the two hearts together using the black wool. I added a lot of the string to make the centre of the object much more crowded and dark.

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I started layering the string and hearts with thin layers of liquid latex and dried in-between layers to make the process go a lot quicker. I originally started layering the latex on with a paintbrush however i found it a lot more efficient to just use my finger to spread the latex more evenly.

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When i wasn’t getting my desired effect from layering the latex i then hung it up so that i could pour more latex onto it at once and left it for a couple days to dry. Once it had dried i liked the drips that had formed onto the larger heart however the smaller heard had dried very smooth and shiny which was not the effect i wanted. i built up texture on the smaller heart by adding latex onto the small heart and letting it partially dry and rubbing it to add in a more bumpy uneven texture.

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To hang the sculpture i hung it from some string that i had also covered in latex so that it had the same texture as the sculpture. i attached the string onto a shelf bracket however this wasn’t how i wanted it to originally be hung but i was struggling to get it hung up any other way so this is what i went for in the end

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Inside Out – Project Development

When I first received the project titled ‘Inside Out’ I really wasn’t sure where I could take the project. I considered the human or animal body and the inside of that such as muscle tissue and bones. I also considered my childhood and using objects or photos of meaning with that. However I wasn’t too happy with concept of my projects so I decided to go with the idea of Depression as it is something I have struggled with for many years. I have often used my artwork as a way of therapy for myself and I felt that I would have a lot to go off as it is something very close and personal to me.

My initial idea of what I could produce for the painting that I needed to produce for the outcome of this project was that I could paint a close up of an eye as when I struggle with my depression on the outside I act as if I’m fine but on the inside I’m not and as people have often considered the eyes to be “the windows of the soul” I felt this could be a good representation of this. However after a talk with a tutor we came up with the idea of Photoshopping the eyes off of the face to give a completely emotionless face.

Rough Photoshop image to use for studies

Rough Photoshop image to use for studies

From the rough Photoshop image I then started to do studies in different mediums. I started off with Charcoal when I added shading to the eyes that weren’t there I liked the fact that they looked big and hollow as opposed to blended with the skin.

Study 1- Charcoal

Study 1 – Charcoal

for the second study I used oil pastel, in this one I then made the eyes even darker by using shades of brown to contrast from the skin. I haven’t used oil pastels for a long time and I don’t know how to properly work with them so I feel this study didn’t come out well.

Study 2 - Oil Pastel

Study 2 – Oil Pastel

The third study I used acrylic paints and very quickly made the study and used colours you wouldn’t particularly see on a face such as pinks and yellows, as this study was very quick and rushed I decided to create another study using the paints.

Study 3 - Acrylic Paint

Study 3 – Acrylic Paint

For this study I took more time blending colours and using more skin tones and once again using browns for the eyes to give the hollowed out eyes, I was really happy with the result of this study. I feel the face is a lot more haunting with this style than the previous ones I have attempted.

Study 4 - Acrylic Paint

Study 4 – Acrylic Paint

After producing the other studies I then produced a really quick study with the paint but using a lot of water so that the paint spread a lot, for this one I used small brush strokes with different shades to add a lot of shapes and texture to the face.

Study 5 - Acrylic Paint

Study 5 – Acrylic Paint

For the next study I experimented with scale. I used a large piece of paper the size of the wall to create this piece. I used large brushes so I could achieve a similar style to the smaller studies I had been producing. I went with the more expressive style of Study 3 and Study 5 and the bold colours too. I enjoyed working at the larger scale however for my final I wanted to use a board of wood to paint on so I think I will scale the piece down a bit.

Study 6 - Acrylic Paint

Study 6 – Acrylic Paint

As I wanted to create my final painting on board I decided I would do two testers to choose what style of painting I would do. for the first style I went for the more expressive painting using the bolder colours. with this study I feel I didn’t get the same textures into the painting as I had in previous studies on paper.

Study 7 - Acrylic Paint on Board

Study 7 – Acrylic Paint on Board

For the next study on board I went for the same style as Study 4 with the flatter colours as I felt that the original was a lot more haunting and had the message I wanted to send. I am happy with this study and feel I will take this into my final piece. The simplistic style helps the eyes stand out more in the painting and makes you look deeper into.

Study 8 - Acrylic Paint on Board

Study 8 – Acrylic Paint on Board

While messing about with some left over paint I produced this study using different shades of green. I really enjoy the different textures within the paint as it was done fast and with no intention of being an actual study.

Study 9 - Acrylic Paint

Study 9 – Acrylic Paint

Artist Research – Eva Hesse

Eva Hesse was an american sculptor born in Germany. Hesse’s works were created with experiments using everyday found items such as rope, wire, fibreglass and rubber. Her artworks are very minimalist using very simplistic materials to create work with more meaningful ideas behind her work helping her to create abstract pieces.

I really like the simplistic qualities of Hesse’s works, I enjoy the fact that she uses regular items and turns them into something with more meanings and into a more interesting object just by changing the textures of them and making them free-standing. Once I had thought up the idea of my sculpture, where I would stitch two plush hearts together with black wool and submerge in latex, Hesse’s works instantly jumped to my mind.

Artist Research – Mark Manders

Mark Manders is a Dutch artist who creates artwork to the theme of self portraits as a building. He created installations and sculptures created from an assortment of objects such as furniture, figures, newspapers and other objects from daily life. Manders sculptures are like walking dreams with their surrealist feel to them. I really like the scale of Manders work as his sculptures are often very large taking up a large portion of the room they’re in. I also enjoy the fact that the figures often have textures on them that makes them have a creepier vibe. as they are mixed media pieces it makes me want to examine them more to see what parts of it you don’t see at first.

Artist Research – Georg Baselitz

Georg Baselitz is a post war German artist, who produced very expressionistic paintings. Baselitz is known to produce works that are meant to shock the audience, in one case one of his paintings was confiscated for an “infringement of public morals’. during the 1970’s he decided to paint his subjects upside down to free the subjects and the expressive quality of his works. I really like the quick and raw feeling of Baselitz works. The figures seem very primitive from the shapes he uses to make up the faces and the earth toned colours he chooses to use. I enjoy the sketchy way he draws to get a lot of emotion behind his work.

Dresdner Frauen-Karla, 1990 by Georg Baselitz

Dresdner Frauen-Karla, 1990 by Georg Baselitz http://www.theartstory.org/artist-baselitz-georg-artworks.htm

Artist Research – Margaret Keane

Margaret Keane is an American artist who i recently discovered through the 2014 movie Big Eyes directed by Tim Burton. I found the history behind the painter very interesting and enjoyed the creepy nature of her paintings. Her paintings depict young children who look very sad and the key feature in her paintings are the huge eyes, the huge eyes really draw you into the painting.

Margaret Keane’s ex-husband, Walter Keane claimed to paint Margaret’s big eyes children paintings during the 1950’s and 1960’s gaining a celebrity status while Margaret was forced to paint the big eyed children behind closed doors. The Keane’s scandal is considered one of the biggest art scandals of the 20th century.

I really enjoy Keane’s works as they have a very creepy and sad feeling to them and an even sadder back story to them. I feel the back story helps them have even more substance as the paintings that where painted while under Walter Keane’s control were always extremely sad with tears and sad mouths, But after Margaret left Walter and the truth was eventually revealed the children started to have smiles appear on their faces, showing Margaret Keane’s true feelings. I really like the style that they are painted where they are slightly flat on the canvas. The big eyes of the children really reminded me of the work i was creating with my experimental work for this project.

 

Art Research – Lucian Freud – The painters mother IV

The painters mother IV is a painting by the artist British artist Lucian Freud using oil on canvas, the painting is one of eighteen from a series of portraits of his mother painted during the 1970’s and 1980’s. Freud started to paint his mother after the death of his father that led to his mothers depression. When I first saw this painting I really liked it as I got a real sense of sadness from the painting, upon reading about it I discovered of his mothers depression and even attempted suicide. I feel the artist really captured his mothers feelings through his use of colour and her sad expression. She is looking away from the viewer not making eye contact and I think this helps to capture her sadness. Freud used a very dull colour pallet of browns and greys that shows the depression well.